{"id":184,"date":"2025-09-22T12:42:01","date_gmt":"2025-09-22T12:42:01","guid":{"rendered":"https:\/\/djtotalcommander.com\/?p=184"},"modified":"2025-11-18T16:08:04","modified_gmt":"2025-11-18T16:08:04","slug":"15-essential-japanese-albums-from-the-80s","status":"publish","type":"post","link":"https:\/\/djtotalcommander.com\/hu\/15-essential-japanese-albums-from-the-80s\/","title":{"rendered":"15 esszenci\u00e1lis jap\u00e1n album a 80-as \u00e9vekb\u0151l"},"content":{"rendered":"<p>T\u00f6bbsz\u00e1z jap\u00e1n lemezem van a 80-as \u00e9vekb\u0151l, \u00e9s elk\u00e9peszt\u0151en neh\u00e9z volt mind\u00f6ssze 15 darabot kiv\u00e1lasztani k\u00f6z\u00fcl\u00fck. Mindegyik m\u00e1s\u00e9rt fontos sz\u00e1momra: van, amelyik a hangulat\u00e1val, m\u00e1s a hangszerel\u00e9s\u00e9vel, vagy \u00e9pp egy ikonikus dallal fogott meg, szerintem ezeket mindenkinek \u00e9rdemes legal\u00e1bb egyszer meghallgatnia. <\/p>\n\n\n\n<h2 class=\"wp-block-heading has-medium-font-size\" style=\"font-style:normal;font-weight:400\"><strong>My 15 favourite Japanese albums from the \u201980s that I wholeheartedly recommend:<\/strong><\/h2>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\" style=\"margin-top:var(--wp--preset--spacing--40);margin-bottom:var(--wp--preset--spacing--40)\"\/>\n\n\n\n<h2 class=\"wp-block-heading\"><em>Navigator<\/em> (1986) \u2013 Omega Tribe<\/h2>\n\n\n\n<p>Az Omega Tribe egyik legsikeresebb albuma, a korszak city popj\u00e1nak ikonikus darabja. Kar\u00e1chi Takao l\u00e1gy \u00e9neke \u00e9s a tr\u00f3pusi hangulat\u00fa hangszerel\u00e9s a ny\u00e1ri est\u00e9k t\u00f6k\u00e9letes k\u00eds\u00e9r\u0151j\u00e9v\u00e9 tette. Olyan sl\u00e1gerek sz\u00fclettek r\u00f3la, mint a <em>\"Kimi wa 1000%\"<\/em>, ami \u00f6r\u00f6kre be\u00edrta mag\u00e1t a jap\u00e1n pop t\u00f6rt\u00e9net\u00e9be.<\/p>\n\n\n\n<p><br>\u2192 Ha felteszed, azonnal \u00fagy \u00e9rzed, mintha Toki\u00f3 \u00f6bl\u00e9ben aut\u00f3zn\u00e1l nyitott ablakn\u00e1l.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\" style=\"margin-top:var(--wp--preset--spacing--40);margin-bottom:var(--wp--preset--spacing--40)\"\/>\n\n\n\n<h2 class=\"wp-block-heading\"><em>All Of Me<\/em> (1984) \u2013 Masayoshi Takanaka<\/h2>\n\n\n\n<p>Takanaka Masayoshi, a virtu\u00f3z git\u00e1ros, aki sz\u00ednes Hawaii-ingjeir\u0151l \u00e9s show-m\u0171sorair\u00f3l volt h\u00edres, ezzel az albummal cs\u00facsos\u00edtotta ki a fusion \u00e9s a tr\u00f3pusi pop tal\u00e1lkoz\u00e1s\u00e1t. P\u00f6rg\u0151s git\u00e1rsz\u00f3l\u00f3k, naps\u00fct\u00f6tte dallamok \u2013 igazi \u00e9letigenl\u0151 zene.<\/p>\n\n\n\n<p><br>\u2192 Olyan, mintha egy v\u00e9get nem \u00e9r\u0151 ny\u00e1ri fesztiv\u00e1lra cs\u00f6ppenn\u00e9l.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\" style=\"margin-top:var(--wp--preset--spacing--40);margin-bottom:var(--wp--preset--spacing--40)\"\/>\n\n\n\n<h2 class=\"wp-block-heading\"><em>Fuyu-K\u016bkan<\/em> (1983) \u2013 Tomoko Aran<\/h2>\n\n\n\n<p>Aran Tomoko ezzel az albummal lett a city pop egyik meghat\u00e1roz\u00f3 alakja. Az <em>\"I\u2019m In Love\"<\/em> kultikus sl\u00e1gerr\u00e9 v\u00e1lt, \u00e9s ma is gyakran felbukkan v\u00e1logat\u00e1sokon. A korszak legjobb session-zen\u00e9szei j\u00e1tszottak rajta, ez\u00e9rt ma is frissnek \u00e9s id\u0151tlennek hat.<\/p>\n\n\n\n<p><br>\u2192 Olyan album, ami egy hideg \u00e9jszak\u00e1t is titokzatosan eleg\u00e1nss\u00e1 var\u00e1zsol.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\" style=\"margin-top:var(--wp--preset--spacing--40);margin-bottom:var(--wp--preset--spacing--40)\"\/>\n\n\n\n<h2 class=\"wp-block-heading\"><em>A Taste of Paradise<\/em> (1983) \u2013 Yuji Toriyama<\/h2>\n\n\n\n<p>Toriyama Yuji git\u00e1ros itt a jazz-fusion \u00e9s a pop k\u00f6zti mezsgy\u00e9n mozgott, \u00e9s az egyik legszebb instrument\u00e1lis lemez\u00e9t alkotta meg. K\u00f6nnyed riffek, napf\u00e9nyes hangulat \u2013 az AOR rajong\u00f3k egyik kedvence.<\/p>\n\n\n\n<p><br>\u2192 Olyan, mintha egy vitorl\u00e1s fed\u00e9lzet\u00e9n sodr\u00f3dn\u00e1l a v\u00e9gtelen k\u00e9ks\u00e9gben.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\" style=\"margin-top:var(--wp--preset--spacing--40);margin-bottom:var(--wp--preset--spacing--40)\"\/>\n\n\n\n<h2 class=\"wp-block-heading\"><em>Adventure<\/em> (1986) \u2013 Momoko Kikuchi<\/h2>\n\n\n\n<p>Kikuchi Momoko, a korszak egyik idolja ezzel az albummal bizony\u00edtotta, hogy t\u00f6bb mint egyszer\u0171 popszt\u00e1r. A producer nem m\u00e1s volt, mint Toshiki Kadomatsu, \u00edgy a funky groove-ok \u00e9s a csillog\u00f3 city pop hangz\u00e1s garant\u00e1lt.<\/p>\n\n\n\n<p><br>\u2192 Hallgat\u00e1s k\u00f6zben szinte l\u00e1tod a neonf\u00e9nyeket t\u00fckr\u00f6z\u0151 shibuyai utc\u00e1kat.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\" style=\"margin-top:var(--wp--preset--spacing--40);margin-bottom:var(--wp--preset--spacing--40)\"\/>\n\n\n\n<h2 class=\"wp-block-heading\"><em>Cosmos<\/em> (1981) \u2013 Yuji Ohno<\/h2>\n\n\n\n<p>Yuji Ohno, a <em>Lupin III<\/em> zen\u00e9j\u00e9nek szerz\u0151je, itt egy \u0171rhangulat\u00fa jazz-fusion mesterm\u0171vel jelentkezett. Szimfonikus hat\u00e1s\u00fa dallamok, futurisztikus szintik \u00e9s filmzeneszer\u0171 hangz\u00e1s jellemzik.<\/p>\n\n\n\n<p><br>\u2192 Olyan \u00e9rz\u00e9s, mintha a toki\u00f3i \u00e9jszakai \u00e9gboltot b\u00e1muln\u00e1d, \u00e9s v\u00e1rn\u00e1d, hogy felbukkanjon egy UFO.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\" style=\"margin-top:var(--wp--preset--spacing--40);margin-bottom:var(--wp--preset--spacing--40)\"\/>\n\n\n\n<h2 class=\"wp-block-heading\"><em>Mint Jams<\/em> (1982) \u2013 Casiopea<\/h2>\n\n\n\n<p>A Casiopea harmadik albuma a jap\u00e1n fusion egyik legnagyobb klasszikusa. \u00c9l\u0151ben vett\u00e9k fel, de st\u00fadi\u00f3min\u0151s\u00e9gben \u2013 feszes, improvizat\u00edv, \u00e9s tele energi\u00e1val. A zenekar nemzetk\u00f6zi h\u00edrnev\u00e9t is ennek k\u00f6sz\u00f6nheti.<\/p>\n\n\n\n<p><br>\u2192 Ha meg akarod \u00e9rteni, mi\u00e9rt h\u00f3d\u00edtotta meg a vil\u00e1got a jap\u00e1n fusion, itt kezdd.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\" style=\"margin-top:var(--wp--preset--spacing--40);margin-bottom:var(--wp--preset--spacing--40)\"\/>\n\n\n\n<h2 class=\"wp-block-heading\"><em>After 5 Clash<\/em> (1984) \u2013 Toshiki Kadomatsu<\/h2>\n\n\n\n<p>Kadomatsu ezzel az albummal robbant be igaz\u00e1n. Funky groove-ok, k\u00f6nnyed popdallamok \u00e9s v\u00e1rosi \u00e9jszak\u00e1k hangulata hatja \u00e1t. M\u00e1r a c\u00edme is azt sugallja: ez a zene a munka ut\u00e1ni kikapcsol\u00f3d\u00e1sr\u00f3l sz\u00f3l.<\/p>\n\n\n\n<p><br>\u2192 Felteszed, \u00e9s r\u00f6gt\u00f6n \u00e9rzed, hogy Toki\u00f3 neonf\u00e9nyes utc\u00e1i megtelnek \u00e9lettel.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\" style=\"margin-top:var(--wp--preset--spacing--40);margin-bottom:var(--wp--preset--spacing--40)\"\/>\n\n\n\n<h2 class=\"wp-block-heading\"><em>Sea Is A Lady<\/em> (1987) \u2013 Toshiki Kadomatsu<\/h2>\n\n\n\n<p>Kadomatsu instrument\u00e1lis mesterm\u0171ve, ahol minden sz\u00e1m n\u0151i nevet visel. A ny\u00e1ri tengerparti aut\u00f3z\u00e1s hangulat\u00e1t id\u00e9zi, nem v\u00e9letlen\u00fcl v\u00e1lt city pop klasszikuss\u00e1.<\/p>\n\n\n\n<p><br>\u2192 Akkor is cabri\u00f3ban \u00e9rzed magad, ha \u00e9pp egy r\u00e9gi kisaut\u00f3val m\u00e9sz a v\u00e1rosban.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\" style=\"margin-top:var(--wp--preset--spacing--40);margin-bottom:var(--wp--preset--spacing--40)\"\/>\n\n\n\n<h2 class=\"wp-block-heading\"><em>Adventures<\/em> (1984) \u2013 The Square<\/h2>\n\n\n\n<p>A The Square (k\u00e9s\u0151bb T-Square) az egyik legismertebb jap\u00e1n fusion zenekar, \u00e9s ez az album a lend\u00fcletess\u00e9g\u00e9vel lopta be mag\u00e1t a sz\u00edvekbe. Jazz-funk energi\u00e1t kever dallamos pop-\u00e9rz\u00e9kenys\u00e9ggel, \u00edgy mindig friss marad.<\/p>\n\n\n\n<p><br>\u2192 Hallgat\u00e1s k\u00f6zben szinte l\u00e1tod, ahogy a zenekar mosolyogva \u00e9lvezi a j\u00e1t\u00e9kot.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\" style=\"margin-top:var(--wp--preset--spacing--40);margin-bottom:var(--wp--preset--spacing--40)\"\/>\n\n\n\n<h2 class=\"wp-block-heading\"><em>Super Friends<\/em> (1981) \u2013 Teruo Nakamura<\/h2>\n\n\n\n<p>A vil\u00e1gszinten is ismert basszusgit\u00e1ros, Teruo Nakamura amerikai szt\u00e1rzen\u00e9szekkel r\u00f6gz\u00edtette ezt a lemezt. A v\u00e9geredm\u00e9ny egy kozmopolita, groove-os, virtu\u00f3z fusion-album lett.<\/p>\n\n\n\n<p><br>\u2192 Olyan, mint egy all-star jam session, ahol mindenki a legjobbj\u00e1t hozza.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\" style=\"margin-top:var(--wp--preset--spacing--40);margin-bottom:var(--wp--preset--spacing--40)\"\/>\n\n\n\n<h2 class=\"wp-block-heading\"><em>Dream Cruise<\/em> (1983) \u2013 Noriki<\/h2>\n\n\n\n<p>Noriki lemezei igazi rejtett gy\u00f6ngyszemek, a Dream Cruise pedig az egyik legjobb k\u00f6z\u00fcl\u00fck. Laza billenty\u0171j\u00e1t\u00e9k \u00e9s l\u00e1gy dallamok festenek haj\u00f3z\u00f3s, ny\u00e1ri hangulatot. <em>Dream Cruise<\/em> is among his best. Relaxed keyboard work and smooth melodies create a breezy, nautical vibe.<\/p>\n\n\n\n<p><br>\u2192 Ide\u00e1lis h\u00e1tt\u00e9rzene egy kokt\u00e9lhoz \u2013 m\u00e9g ha csak k\u00e9pzeletben is, a yacht fed\u00e9lzet\u00e9n.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\" style=\"margin-top:var(--wp--preset--spacing--40);margin-bottom:var(--wp--preset--spacing--40)\"\/>\n\n\n\n<h2 class=\"wp-block-heading\"><em>Sparkling<\/em> (1986) \u2013 Malta<\/h2>\n\n\n\n<p>Malta (Yoshiaki Maruta) szaxofonos a smooth jazz \u00e9s a city pop hat\u00e1r\u00e1n alkotta meg egyik legismertebb lemez\u00e9t. Vid\u00e1m, f\u00e9nyes, optimista \u2013 nem v\u00e9letlen\u00fcl lett az egyik legn\u00e9pszer\u0171bb jazz-pop album a korszakban.<\/p>\n\n\n\n<p><br>\u2192 Ha felteszed, egy \u00e1tlagos kedd este is \u00fcnnepnek t\u0171nik.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\" style=\"margin-top:var(--wp--preset--spacing--40);margin-bottom:var(--wp--preset--spacing--40)\"\/>\n\n\n\n<h2 class=\"wp-block-heading\"><em>All Right<\/em> (1982) \u2013 Himiko Kikuchi<\/h2>\n\n\n\n<p>Kikuchi Himiko zongorista ezzel a lemezzel bizony\u00edtotta, hogy n\u0151k\u00e9nt is meghat\u00e1roz\u00f3 alakja a jazz-fusion szc\u00e9n\u00e1nak. Virtu\u00f3z futamok, popos dallamok \u00e9s laza hangz\u00e1s jellemzi.<\/p>\n\n\n\n<p><br>\u2192 Olyan, mintha bel\u00e9pn\u00e9l egy st\u00edlusos 80-as \u00e9vekbeli kokt\u00e9lb\u00e1rba, ahol mindenki ismeri a neved.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\" style=\"margin-top:var(--wp--preset--spacing--40);margin-bottom:var(--wp--preset--spacing--40)\"\/>\n\n\n\n<h2 class=\"wp-block-heading\"><em>Fill Up The Night<\/em> (1983) \u2013 Sadao Watanabe<\/h2>\n\n\n\n<p>Watanabe Sadao ekkor m\u00e1r nemzetk\u00f6zi h\u00edrn\u00e9vnek \u00f6rvendett, \u00e9s ez a lemez t\u00f6k\u00e9letesen mutatta, hogyan \u00f6tv\u00f6zi az amerikai smooth jazzt a jap\u00e1n \u00e9rz\u00e9kenys\u00e9ggel. Eleg\u00e1ns, b\u00e1rsonyos, igazi \u00e9jszakai zene.<\/p>\n\n\n\n<p><br>\u2192 Ahogy a c\u00edm is mondja: megt\u00f6lti az \u00e9jszak\u00e1t eleganci\u00e1val \u00e9s melegs\u00e9ggel.<\/p>","protected":false},"excerpt":{"rendered":"<p>I own hundreds of Japanese records from the 1980s, and it was incredibly difficult to narrow them down to just fifteen. Each one means something different to me\u2014some captivated me with their atmosphere, others with their arrangements, or a single unforgettable track. I believe every one of these albums deserves to be heard at least [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":186,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-184","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"jetpack_featured_media_url":"https:\/\/djtotalcommander.com\/wp-content\/uploads\/2025\/09\/montazs3.jpg","_links":{"self":[{"href":"https:\/\/djtotalcommander.com\/hu\/wp-json\/wp\/v2\/posts\/184","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/djtotalcommander.com\/hu\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/djtotalcommander.com\/hu\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/djtotalcommander.com\/hu\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/djtotalcommander.com\/hu\/wp-json\/wp\/v2\/comments?post=184"}],"version-history":[{"count":3,"href":"https:\/\/djtotalcommander.com\/hu\/wp-json\/wp\/v2\/posts\/184\/revisions"}],"predecessor-version":[{"id":244,"href":"https:\/\/djtotalcommander.com\/hu\/wp-json\/wp\/v2\/posts\/184\/revisions\/244"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/djtotalcommander.com\/hu\/wp-json\/wp\/v2\/media\/186"}],"wp:attachment":[{"href":"https:\/\/djtotalcommander.com\/hu\/wp-json\/wp\/v2\/media?parent=184"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/djtotalcommander.com\/hu\/wp-json\/wp\/v2\/categories?post=184"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/djtotalcommander.com\/hu\/wp-json\/wp\/v2\/tags?post=184"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}